Entry tags:
ic contact
HOUSE #1470
mayo ✧ little shit ✧ loving daughter

"You've reached Carol Danvers, aka Captain Marvel. I'm not here, leave a message!
If it's urgent... uh. Leave it urgently."
speed dial
steve
sakamoto
gremlin
mayo ✧ little shit ✧ loving daughter

"You've reached Carol Danvers, aka Captain Marvel. I'm not here, leave a message!
If it's urgent... uh. Leave it urgently."
speed dial
steve
sakamoto
gremlin
( call | text | voicemail | mail | action )
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[but there's no one here to hurt, there's no one here to kill, there's no one for miles and he knows that because he can see everything; until this moment, he's thought 'vantage point' was a place snipers went before picking off victims (duck, duck, splat)]
[so he does kick his shoes off and it doesn't take much effort; the grime-and-blood spattered red converse knock-offs are falling apart at the seams, a stiff sea breeze could have taken them away (and maybe that pointlessness of holding them so dear says something about Badou). he leaves them behind (they're already full of sand, Carol) and digs those angular, awkward boys' feet into the grains like shitty plastic shovels until he comes to the water's edge]
[when he drops to his haunches there, he's out of breath, which is unlike him, and he can feel his pulse throbbing uncomfortably in the place he used to have a right eye (street fatigue and infection have made a gambit out of his vitality, but he'll recover -- Nails men only ever went violently). the salty air burns and bites his cuts this close, and the push and movement of the water before him feels like a pressure of sorts -- not a bad one, like city smog or bookie debts, but something huge and important; like how the bearing stone of a building must feel]
[his voice may or may not carry]
Where the hell does it stop...?
[he's never see anything that didn't end]
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the boy seems busy communing with the sea, or whatever it is a kid does when they've never seen the edge of the world before. it must feel like -- carol can't even imagine.
she takes her time ambling over to him, the wet sand shucking every time she picks up her feet. when she gets there she stops, about a foot from him, feet in the water and letting it rise and fall past her ankles, bringing sand and salt and sea shit in and out, over and over. the feeling is kind of like being a kid again herself.]
You know there's more ocean in the world than there is land?
[kid like this, she figures he might not. if he's even from the same world as her.]
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[he falls from his haunches, looking less like an especially pointy beach ornament as he rolls up his (already wet) jeans to his knees, seeking to (subtly) imitate]
[as for the fact -- no, he didn't]
I know. I ain't dumb. S'because of stupid erosion, right? The waves smash everything up...
[he scoots forward, wanting to see what it's like to do what Carol's doing, to let his feet get all sucked up under that pressure -- ]
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[the first words he speaks to the sea are]
Ahoohfuck!!!!
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it's impressive, but at the same time she wants to tell him, that's not the whole reason, not everything in the world is out to get you, kid.
she doesn't get the chance before he's howling, though, while the same tide that made him do it brushes harmlessly against carol's shins and recedes again. the incredibly ladylike snort she gives him is accompanied by a hand held out to him, done without thinking.]
C'mon, up. I'll show you something we used to do when I was a kid.
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-- I don't wanna play any dumb kids games!
[but he's up on his feet anyway, obviously ready to be shown something new]
[briefly, because he has that kind of annoying mind (all hastily scribbled notes and names underlined in red ink) he wonders who 'we' is. it might also be the first time he's thought of a shitty cop as having a childhood, which is food for thought]
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wondering if her dad is watching. see, I can do it just as good as he can!
there's nothing connecting carol to this little girl anymore. it's her, but it feels like somebody else.]
It's not a dumb game, shut up and stand still.
[her feet are still firmly in place, and by now only the tops of them are visible, goopy sand covering the rest. she pulls them out and stamps the sand back in place, to start again.]
Don't move your feet, just watch them. We called it quicksand, used to freak me out.
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[he's grumbling under his breath, but his eye is concentrating on his feet, watching the water wash in and out, the whorls of white and night-dark blue]
[the cogs are spinning, too serious, and then something blessedly basic seems to click, as Badou suddenly -- smiles. it's not at anyone, and maybe that's why it looks easier]
...Feels weird. Ain't there stuff livin' in there?
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-- Shit! They're pullin' me in!
[his backside's already wet; his frontside is looking perilously close to joining]
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[the grip on her arm is sudden and unexpected -- she doesn't flinch at it, but she thinks she might have a fingertip-wide bruise or two later. without her powers, without her healing. bruises are something carol has long since grown unused to.
she turns to steady him, ruining her own sinking again in the process, catching him under the elbow with the arm not presently being clung to.
normally she'd have let him fall, splat facefirst into the water to sputter and swear, and she'd laugh, because falling over in the water and looking like an idiot is a part of the experience.
now, though, she feels compelled to stop him. all those bandages, she's worried about whatever the hell's happened to his hands and his eye (especially his eye), what getting sand and grime and salt-water in those wounds is going to do to them.]
Whoa, kid, relax, that's kind of the point. Didn't I tell you? Quicksand.
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[in less than 2 inches of water??? okay so maybe he's a little flustered]
[and as soon as he steadies himself (not that she helped, no, that was incidental thank you), he snatches those all-put-back-together limbs away from her, arms going out instead to the sides to steady himself]
[Badou isn't thinking about salt or grime or his wounds; mostly, he's just thinking -- ]
[look, see, I can do it just as good as she can...]
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he doesn't, though, and she smiles and sticks her tongue out at him, feeling dumb and immature but not caring too much as she turns her face back out to the line of the horizon.
the sun's disappearing pretty quickly now, a blur of blinding orange-gold just keeping its head above water off to their right. a breeze kicks up off the ocean and tugs at carol's hair, and she reaches up to push it out of her face.
suddenly, she remembers something--]
Hey. You hungry, shortstack?
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[it's strange, but he hasn't said anything yet partially to encourage the habit that followed the question, which was to offer him food]
[unfortunately, his mouth always moves faster than his brain]
I was until I heard that lameass nickname. Don't call me that.
[a pause]
'Re you gonna grab fish outta the water with your hands?
[he's seen it in multiple movies; he's always wondered how applicable it actually was]
[wobble, wobble, steeeeadies]
Re: action
No, dorkus, I brought food. Wait here and try not to fall on your ass.
[with that she pulls her feet up again, swishing them around in the water a little to dislodge the worst of the sand clumps. as a parting shot she kicks up a splash aimed at badou.
then she's off back up the beach at a jog, and bending down to unzip the bag, rummaging around inside it. she yells back over her shoulder]
You want pretzels or Doritos?
[which is all she brought. carol has a distinct lack of experience in what teenage boys like to eat, but that seemed close enough to her.]
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[the answer comes immediately; Carol's teenage boy intuition is spot on]
[he pulls his feet out of the gloppy sand likewise, but he doesn't make his way back up to where she is. instead, he sits right back down on his soggy ass slightly higher than where the tide comes up (soak him twice, shame on him)]
[a few contemplative moments (those cogs working too studiously again, for a boy at the beach), and he promptly goes digging in the gloopier sand for sea life. in only a couple swipes, he finds tiny white sand crabs wiggling all over, popping out of their holes and diving away]
[so it wasn't nothing, out there; it wasn't emptiness, but fullness -- stuffed to the brim, even]
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stuffing her own snack between her teeth, she pulls on the jacket (a shitty, puffy number in an atrocious olive-drab) and flops down beside him, sitting up with her legs stretched out in front of her.
the packet is opened with a loud crinkle and carol stuffs two pretzels in her mouth at once, crunching down on them.]
All it's cracked up to be so far?
[she asks through the food, hand over her mouth to be polite. not that it matters in front of this kid, but it's a force of habit.]
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[he doesn't sprawl but contracts, sitting cross legged to dig into the orange-dusted feast]
[and it is imperative, apparently, that he swallow at least four handfuls of chips before declaring]
Yeah. It's really cool.
[another handful]
Why's nobody here? Do people do stuff they don't do in the movies? I saw this one once where there was a big luau on a island an' everybody got murdered. They thought it was the couple who invited 'em all there, like in revenge for a bunch'a affairs an' stuff, everybody's sleepin' with everybody basically you find out, but it was really the guy who ran the resort an' in the end everybody still alive got roasted underground like the pig they had in the beginning that they roasted underground.
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[crunch]
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is he gonna choke? she wonders idly.
she can handle it if he chokes. she knows first aid.
is he gonna slow down, though, is the next question that pops up in her head while the kid chatters away in that way that kids have, and that one she's not so sure about.]
They do it with hot rocks, I'm pretty sure.
[--when he takes a break from his spiel.]
But I don't think I've seen that one. Then again I haven't even seen Ghostbusters 2 yet, so.
[it's a point of contention between her and some friends. but who's got time to keep up with movies when you're out saving the world? seriously.]
Re: action
The Ghostbusters movies ain't Bill Murray's best ever. They're really funny, but they ain't that great. [a brief doritos genocide] -- That's just what shitheads who want people ta think they know shit about shit say. Stripes is his best movie ever.
[his hands are stained orange, now (it's a nice change from red), and he wipes them on his jeans]
I wanna look at the rocks over there.
[he isn't asking permission -- he gets up, the bag falling from his lap as if it hadn't been the most important thing in his life about five minutes ago]
[a few doritos fall out, get taken by the sea (hope the fish are hungry for junkfood tonight)]
[and he takes off towards the small jetty, intent to climb and slip and scrape his knees a neon sign above him]
Re: action
the discarded packet gets plucked from the ground before it can get too wet and grimy, crumpled into a lump and shoved into a pocket of her coat. this might just be some fake beach conjured up to screw with them, but some habits are ingrained deep.
if you brought it here, take it back with you, carol. things live in the sea.
she doesn't bother to trail behind him -- she's not the kid's mother, after all -- but she does keep one sharp eye on him as he scrambles about.
dusk'll be night soon, and carol wonders idly how long he intends to stay. she stretches her arms out over her head. it wouldn't bother her, honestly, if he wanted to spend all night here; the salt-smell and the waves and the seclusion are making her head feel comfortingly clear.]
Re: action
[(he's had enough tumultuousness in his life as it is)]
[in no time at all (he may be broken, but he's not done) he's far out along the rocks, investigating the ocean slime and the tiny ecosystems swirling in the dips between the rocks. the smell is different here, less clean and sandy, low tide; he digs his hands into the puddles, grabbing curiously at the things which scuttle and dig in low, dark places, especially interested in the crabs (wow, did they all look so weirdly lopsided like that? what was with the buff claw and the dinky claw?)]
[feet scraping and sliding against wet rock, he haphazardly tracks a crab to the very last rock. he makes a wild grab at, but watches it plunk into the water (another habit of his, maybe)]
Hn...
[there were bound to be slower crabs, he thinks, and before he knows what he's doing he's a hunter again]
Re: action
she knows that feeling. if you've gotta go out, go out blazing.
when the last pretzel has been crunched up, the bag shoved in her other pocket, carol hauls herself up off the sand and brushes it off her ass and legs as best she can (which is not that great), then sets off along the shore at a leisurely amble toward the rocks where badou's lurking, thumbs in the belt-loops of her shorts.
there's no rush; she's content to slip along the wet sand as the wind makes lazy tugs at her hair and birds cry out, far off. content to let the kid do his thing.
that's the point, after all.]
Re: action
[and for once, it's Badou that reaches out to another person]
Yo -- Carol.
[of course, as usual, it's a bit of a double-edged sword (he's never really been a bundle of joy, even in the moments he is allowed to be childish)]
[when he crawls more out of the rocks, it's apparent that he's completely soaked from the waist down, with hefty helping of rock slime smeared down the right side of his shirt; he smells exactly like low tide]
D'ya still got that pretzel bag?
[the hand he reaches out also has a fairly sizable crab clamped onto it, it's claw firmly entangled in the thick wads of cotton and cloth that encase Badou's right hand]
[(if there's pressure on the wound itself, he doesn't feel it)]
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