Entry tags:
ic contact
HOUSE #1470
mayo ✧ little shit ✧ loving daughter

"You've reached Carol Danvers, aka Captain Marvel. I'm not here, leave a message!
If it's urgent... uh. Leave it urgently."
speed dial
steve
sakamoto
gremlin
mayo ✧ little shit ✧ loving daughter

"You've reached Carol Danvers, aka Captain Marvel. I'm not here, leave a message!
If it's urgent... uh. Leave it urgently."
speed dial
steve
sakamoto
gremlin
( call | text | voicemail | mail | action )
Re: text
He wears an eyepatch, jumped out of a cake once
Why?
Re: text
i know the one
just curious is all
cakejumping can be a prolific business u kno
i was wondering if he could be hired for anything else besides hapless cakes
Re: text
and that suspicion hits home, suddenly, hard: she doesn't trust him anymore.]
I don't know why you're coming to me with this
Did you miss the part where I'm pissed at you
Because you royally fucked up
Re: text
just thought id ask
ill leave you be
[ it's hard, sometimes, remembering when he's futzed up on something, remembering if this bridge is burned or if it was that one.
memory of her anger is fresh still.
it would have been a good companionship. the thought still stings. ]
Re: text
still, there's something she needs to ask. wait, she says, but what she types is--]
I haven't seen the kid in a while
Re: text
busy guy
Re: text
look out for him
Re: text
[and she has to stop for a second, hold a fist to her mouth and stare hard as steel at the wall, because--
trying isn't good enough]
Re: text
I tried to back off he still doesnt trust me\
He wont tell me anythng
I feel like nobody will what th e hell am i doing wrong
Re: text
Re: text
have you ever seen a battlefield
have you ever seen kids in a war
or the ones whove survived it
have you ever seen dogs and cats in the street
the kind who never want to come close bc of how much theyve been kicked in life
and looked on like theyre nothing
where survival is priority over whatever we think we know
comfortable in our sunny cities and nice homes
where safety is a right not a privilege
Re: text
I know
Life broke him
It broke me too but I got up again, I just want to show him that he can get up again
But I take al lthe wrong turns and it ends up worse
Re: text
its a nice idea and a pretty dream
kids like him have no time for it
he wont rely on us carol, not you or me or anyone else
even if hes young
maybe too young
self sufficiency is important to him and his own
its like feeding wild dogs
it isnt always going to turn out pretty
but the message gets across eventually
composed, unsent
I cant just sit here
I cant keep watching him
He gets so quiet
It's killing me
Re: text
this is not about the fact that she can't help him and that feels like her fault, not his, not that of the world he lived in. she can't fight the fourteen years of his life that are behind him, and it feels like failing him.]
I need
Can you
[help, somehow. do something. it's all too much. she doesn't finish the text but sends it anyway, hopes he'll understand.]
Re: text
he'd learned, a long time ago, what to let go of and what was a necessary sacrifice. ]
where
Re: text
Its unlocked
[and she drops the phone beside her on the couch and buries her face in her hands and breathes. she won't cry, carol doesn't cry, not even when ruin is at the gates and the world is ending around her.
but this feels different. this time she's powerless, and it's beating her down down down]
Re: text
[ it's a start. even if she throws him out the minute he steps over the threshold, it's still something.
now all he'd have to do is explain away the state of his face.
he heads out, and starts up the car. ]
action i guess now
jess.
she could have asked steve, should have asked steve, but he just got here and he doesn't know her, he's not her steve, she can't throw all this at him.
shouldn't be throwing all this at sakamoto, either, but it went from her aching mind (heart) to the phone totally without her leave to do so, and he said okay.
stupid smiling understanding idiot.
the squeal of tires won't make her look up, she knows who it is. (although the sound of retching might be kind of a surprise)]
all this action ;]
what a great guy. ]
hueheuehuheueeheeuhehe
oh god the cat
where is chewie
and she rushes for the door, flinging it open urgently, and -- oh. okay.
just. stands there awkwardly, red-cheeked and tired-eyed.
what is supposed to happen now.]
no subject
waits a moment, as if expecting a horrendous nausea relapse
before flashing Carol a grin most brilliant from across the car.
it could be dashing were it not for the state of his face.
welp ]
Carol-san! I'm h-- [ hurp ] here!
no subject
but he's heaving his stomach up, and something truly horrendous has happened to his face, and he's still here.
the idiot.]
You're still in trouble.
[it's quiet. carol turns and goes back in, leaving the door open for him to follow.]
no subject
small blessings.
he also takes it as a good sign that she hasn't called the authorities on him yet. a good step forward. ]
I know.
[ said, as he stumbles his way around the vehicle, up the steps. limps his way through the door and takes the moment to savour the lingering aroma of smoke and mayo stained into the plaster and wood and grains of the house itself. a good home. a friend's home. ]
Water? Milk? Juice? Anything capable of consumption that isn't related to mayonnaise? Aah?
no subject
[she pads toward the kitchen in her stocking-feet, idly gathering her hair away from her face, but stops just outside the kitchen door. grudgingly, awkwardly, feeling as weird as it's possible to feel, carol leans back against the wall and takes a breath and looks at him, frowning.]
Do you need--?
[gesturing vaguely at her own face. medical attention? to file some kind of lawsuit with someone?]
The hell happened?
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